Tag Archives: BBC Sherlock

“It’s a Three-[Episode] Problem.”

26 Jan

Today in America, Sherlock season three, episode two, airs officially for the first time.

Today in the UK, or for everyone who has successfully tricked their computers into thinking it is the UK, it’s just another day in the new age of Sherlock hiatus.

Nine episodes from 2010 to 2014…

And welcome back to the waiting room, everybody.

Anyhow, due to the unpredictable nature of the internet and its inhabitants, if you have not properly watched the whole series yet, chances are you’ve at least had some element of it spoiled for you.

If you have not, simply continue reading and I promise that you will.

(That was a warning to the spoiler-shy. Be gone with you.)

I’m not trying to run a review blog here (for lots of reasons), but I need to talk about these episodes. I can’t not talk about these episodes. However, after several years of knowing myself, I’m aware that my tendency to wax eloquent (some pretty words for “never shut up until banned from all forms communication”) will force any conversation of mine about Sherlock into the space of novels, rather than chapters.

To be fair, there’s just too much to talk about – the Moriarty-Mind-Asylum, Sherlock’s even-more-of-a-jerk-than-usual bit, Molly’s serious over-correction after getting over Sherlock (meat dagger?), Mycroft’s unrealistic weight loss expectations…

Anyway, to take it all down a bit for post form, I’ve decided to condense each Sherlock season three episode into a study on one sentence, then two, then three.

Because that’s how many episodes there are.

Just three.

(weeps quietly)

The Empty Hearse:

  • So we actually never find out how he did it?

Fine, we got the most credible solution at the end – but not from the mouth of Sherlock so much as from the Sherlock-flavored mind of a severely cray-cray Anderson. Rude. I think Sherlock, of all people, would be able to disregard John’s little “I don’t care how you did it” speech (speak for yourself) and tell him anyway.

No artist can resist signing his work.

The Sign of Three:

  • Choosing Sherlock as the best man is simultaneously the best and worst decision John has ever made.

I would pay good money to have someone (Sherlock) flip over the reception table mid-speech, go “Let’s play MURDER,” and then proceed to solve the crime of the uncomfortably tight mandated belts.

It’s also worth mentioning that this episode made me irrationally afraid of ever wearing my own belts ever again.

  • TELL ME ABOUT THE ELEPHANT IN THE ROOM.

I NEED TO KNOW ABOUT THIS MORE THAN I NEED TO KNOW ABOUT BUDAPEST, FOR GOODNESS’ SAKE

His Last Vow:

  • Magnussen made me want to sanitize everything I own.

Fantastic villain.

And by fantastic, I mean, utterly disgusting. However, a good friend of mine did critique the episode by saying she felt like she didn’t hate Magnussen enough.

I pretended to understand.

I don’t understand.

(And yes, I really should have that on a t-shirt)

  • Oh sweet mother of pearl, Mary Watson, what the heck.

Surprise, everyone. I know that a lot of us were suspicious when Sherlock deduced her to be a liar in episode 1 (along with a number of other things identified by the Sherlock-vision floating deductions), but I definitely saw no words reading “crazy-pants assassin” flying around her pretty face.

  • And in answer to the episode’s final question,

I present to you a short text-message exchange between a friend and I.

wasp_

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